Seibi Sato Seibi Sato was born January 6, 1906 in Kokura City, Kyushu, Japan. In 1919, he began studying Kinko-ryu honkyoku under Kudo Kazan and received his shihan (master teaching licence) two years later at the age of 15. In 1922, he studied voice and piano with Fujii Kyomi and continued his shakuhachi studies in 1925 with the renown master Yoshida Seifu from who whom he received a daishan in August, 1929. In 1930, he studied extensively with the great player and teacher Miura Kindo. Sato-sensei’s life was completely devoted to shakuhachi in a wide variety of venues. In 1926, he formed a contemporary music group with Hiratao Tomihiro and three years later began teaching shakuhachi at Tokyo Shokadai (Tokyo University of Commerce). Soon thereafter, he moved to Taiwan where, as a cultural ambassador, he lived and taught in Taipei, performing widely throughout in the Republic of China. While in Taiwan, Sato broadened his shakuhachi studies with Aoki Shingetsu upon recommendation by the great player Tani Kyochiku. Returning to Japan some years later, Sato did extensive recording work at Polydor Recording Co. and radio broadcasting at Nihon Hoso Kyokai (NHK). He also headed two shakuhachi regional composers associations in the Osaka area. Much of his time and energy was spent running the publishing company Kinkosha that he establish as a source for the dissemination of shakuhachi honkyou, sankyoku and modern music that included many of his own compositions and arrangements. Sato Seibi created a distinctive style of Kinko notation influenced by Kinko III, Ikeda Ishi, Yoshida Icho, Araki Kodo II (Chikuo), Araki Kodo III (Shinnosuke), Miura Kindo, and Mizuno Rodo. He consolidated and unified their unique systems for Kinko honkyoku. Toward the end life, in spite of deteriorating health, Sato traveled to the United States in 1980 doing a ten-day concert tour on the East Coast of America. He passed away on October 25, 1983. |
Shakuhachi Honkyoku Hifu "Secret Pieces" Sheet Music Set (Kinko Ryu Notation) Silk Brocade Padded Cover
|
Book 1 |
Book 2 Choshi Sa Shi Kyorei Kokuji Mukaiji |
Book 3 Sokaku Yamato Choshi Ajikan Shika no Tone |
Book 4 Tsuru no Sugomori – 1 (Kansai Area) Tsuru no Sugomori – 2 (Kyushu Area) |
Available as a complete set only.
Shakuhachi Honkyoku Zenshu "Complete Collection" Sheet Music Set 11 Books / 56 Pieces (Kinko Ryu Notation) Silk Brocade Padded Cover |
Book 1 |
Book 2 Koro Sugagaki Duet Kyushu Reibo Shizu no Kyoku Kyo Reibo Mukaiji Reibo |
Book 3 Koku Reibo Koku Reibo Duet Shin Kyorei Muefuke Banshiki Jo Shin no Kyorei Kinsan Kyorei |
Book 4 Yoshiya Reibo (Yoshino) Yugure no Kyoku Sakae Jishi |
Book 5 Uchikae Kyorei Igusa Reibo Izu Reibo Reibo Nagashi Renbo Nagashi |
Book 6 Tsuru no Sugomori Sokaku Reibo Sanya Sugagaki Shimo Tsuke Kyorei Meguro Jishi |
Book 7 Ginryu Koku Ginryu Koku Duet Sayama Sugagaki Sagariha no Kyoku Mukaiji Reibo For 3 shakuhachi: • Akebono Choshi tuning (1.3’) • Hon Choshi tuning (1.8’) • Kumoi Choshi tuning (2.3’) or • Akebono Choshi tuning (2.0’) • Hon Choshi tuning (1.3’) • Kumoi Choshi tuning (1.8’) |
Book 8 Namima Reibo Houshou Su Akebono Shirabe Kotobuki Shirabe Koku Reibo For 3 shakuhachi: • Akebono Choshi tuning (1.3’) • Hon Choshi tuning (1.8’) • Kumoi Choshi tuning (2.3’) or • Akebono Choshi tuning (2.0’) • Hon Choshi tuning (1.3’) • Kumoi Choshi tuning (1.8’) |
Book 9 Shika no Tone Ashi no Shirabe Kotoji no Kyoku Kinuta Sugomori Koro Sugagaki For 3 shakuhachi: • Akebono Choshi tuning (1.3’) • Hon Choshi tuning (1.8’) • Kumoi Choshi tuning (2.3’) or • Akebono Choshi tuning (2.0’) • Hon Choshi tuning (1.3’) • Kumoi Choshi tuning (1.8’) |
Book 10 Akebono Sugagaki Rafu Sugagaki Rinritsu no Mai Taihei Rau Sakae Jishi • Akebono Choshi tuning (1.3’) • Hon Choshi tuning (1.8’) • Kumoi Choshi tuning (2.3’) or • Akebono Choshi tuning (2.0’) • Hon Choshi tuning (1.3’) • Kumoi Choshi tuning (1.8’) |
Book 11 |
Shakuhachi Sheet Music Holders |
AC-11. Music Folder design available stock on hand.
Shakuhachi Minyo Japanese Folk Music Collections 2 Books / 31 Pieces (Kinko Ryu Notation)
|
JAPANESE FOLK SONG COLLECTION - BOOK 1 Kusatsu Bushi |
JAPANESE FOLK SONG COLLECTION - BOOK 2
Kiso Bushi |
Seibi Sato (Kinko Ryu & 5-Line Staff Notation) |
|||||
Author |
# |
Title |
For |
Description |
Notation |
SS-F1 |
Tsubaki Sakumura
|
Shakuhachi Solo with Piano Accompaniment. |
Expresses sadness when returning to the abandoned village of his nanny at the time when camellias are in blow. Melancholy for lost youth. |
Kinko & |
|
SS-F2 |
Tsukigusa no Yume |
Shakuhachi Solo with Piano Accompaniment. |
Sweet melancholic memories of childhood. |
Kinko & 5-Line Staff |
|
SS-F3 |
Miyama Higurashi |
Shakuhachi Solo. |
Oiwake style expressing sounds of the forest cicada. |
Kinko |
|
SS-S1 |
Inori |
1.6’ or 1.8’ Shakuhachi & Koto. |
Count Rubienski of Poland visited Japan. He was inspired by a statue of beautiful Greek girls. He asked Seifu to compose a piece of music for shakuhachi and koto based on this theme to be used in a dance and dedicated to the purity of youth and the gods of Athens. |
Kinko |
|
Komori Uta |
1.8’ Shakuhachi & Koto. |
Longing for her husband, a young widow putting her baby to sleep. |
|||
SS-S2 |
Kamome |
1.6’ Shakuhachi & Koto. |
Boatman’s song returning home at dusk. The rhythym of oars in the calm sea is joined by the sound of seagulls flying overhead. |
Kinko |
|
Yamaji |
1.6’ Shakuhachi & Koto. |
A sketch of a horseman traveling on a mountain road in the autumn. Distant sound of temple gong contrasts with the horses hooves and a bell on its reins. |
|||
SS-S3 |
Shinkyoku |
1.6’ or 1.8’ Shakuhachi & Percussion (drums, Gongs & Tsuzumi). |
Inspired by ancient sacred music offered to the gods. |
Kinko |
|
SS-S4 |
Shun Oka |
1.6’ Shakuhachi & Koto. |
Emerging from dark cold winter to the rebirth and beauty of spring. |
Kinko |
|
SS-S5 |
Ban Shu |
1.6’ Shakuhachi & Koto. 6 Parts.
|
Seifu experienced deep depression and spiritual angst associated with religious suffering. Scenes of nature in Autumn moved him and resonnated with his sadness. |
Kinko |
|
SS-S6 |
Umi |
1.6’ Shakuhachi, Voice & Koto. |
A seascape of the ocean depicting its calmness shattered by a passing violent storm. This sketch was inspired by a near-death experience Seifu went through in 1931 while in Los Angeles at the end of a year-long tour. During that time he became extremely ill, but eventually recovered. This composition reflects the ever-changing condition of life on all levels. |
Kinko |
|
SS-S7
|
Ogawa no Hotori |
1.6’ Shakuhachi & Koto. |
Sketch a stream bank in the springtime. |
Kinko |
|
Hatake no Tombo |
1.6’ Shakuhachi, Voice & Koto. |
Lyrics by Noguchi Ujo |
|||
SS-M1 |
Haru no Umi |
1.6’ Shakuhachi & Koto. |
Miyagi classic composition immensely popular and performed thoroughout the world. First performed in December, 1929. |
Kinko & 5 Line Staff |
Individual scores available.
Price of Scores
Koten Honkyoku Hifu Kinko Ryu Honkyoku Zenshu Minyo Folk MusicCollections Modern Shakuhachi Music Sheet Music Holders |
Ordering Information
|