KATSUYA YOKOYAMA was one of the greatest masters of the shakuhachi in Japan of the post-WWII generation. He was born in Shizuoka Prefecture in 1934 and studied Kinko-ryu and Azuma styles of music with his father, Rampo Yokoyama, and grandfather, Koson Yokoyama. At the age of 25, Yokoyama began to study with Fukuda Rando, founder of the Azuma School and with Watazumido-doso, a legendary Fuke master who sought to synthesize shakuhachi music and spirituality within the context of Zen Buddhism. Guided by these two eminent masters, Yokoyama was able to combine the modernism of Rando with the deeply religious traditional spirit of Watazumido in his training. With this foundation, he came to develop a remarkably powerful and creative style that embodied both ends of the continuum. A true descendant of the Kinko tradition transmitted down through the generations, he also pioneered a revolution in modern music that swept across post-War Japan. In 1960, Yokoyama completed his studies at the NHK Japanese Traditional Music Training Center and, one year later, formed Shakuhachi San-Jyuso-dan, a trio devoted to furthering new music for the instrument. In 1963, he founded the Nihon Ongaku Shudan (Japanese Music Group) and Shakuhachi Sanbon-kai (Group of Three Shakuhachi ) with Kinko master Aoki Reibo and Tozan master Hozan Yamamoto. This historic group helped to establish a new genre of music for shakuhachi trio. In 1967, Yokoyama was selected by the renowned composer Toru Takemitsu to perform the premiere of "November Steps," his modern composition for shakuhachi, biwa and orchestra led by Seiji Ozawa and the New York Philharmonic. Since its opening over thirty five years ago, Yokoyama has performed this epic piece hundreds of times around the world. Katsuya Yokoyama was head of the Chikushin-kai Shakuhachi Guild. He has been the recipient of many prestigious awards, amongst them the Geijutsu Sen-sho (Art Award) in 1971, the Geijutsu-sai Yushu-sho (Art Excellence Award) in 1972, the Geijutsu-sai Tai-sho (Art Festival Grand Prize) in 1973 given by the Agency for Cultural Affairs and the Ongaku no Tomo-sha Award in 1991. In 1988, Yokoyama founded the Kokusai Shakuhachi Kenshukan (International Shakuhachi Training Center) located in Bisei-cho, Okayama, Japan where he hosted the first International Shakuhachi Festival in 1993. This event precipitated founding of the World Shakuhachi Society and Festival held in Boulder, Colorado in 1998. At this gathering, five of the world’s greatest shakuhachi masters, including Yokoyama, performed in a single venue for the first time ever. In 2002, the Japanese government honored Katsuya Yokoyama for a lifetime of achievement by awarding him the esteemed Shiju Hosho (Purple Ribbon Medal) award. He died in 2010, leaving behind a rich legacy of shakuhachi tradition to the world. |
S-X7a. MASTERS OF THE SHAKUHACHI 1. Yamaguchi Goro |
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S-Y3jk Performed with the Royal Concertgebouw Orchestra November Steps (ノヴェンバー・ステップス ) is a musical composition by the Japanese composer Tōru Takemitsu, for the traditional Japanese musical instruments, shakuhachi and biwa, and western orchestra. The work was commissioned by the New York Philharmonic on the occasion of its 125th anniversary, and premiered in November 1967 by the orchestra under the direction of Seiji Ozawa.
Tom Service, A Guide to Toru Takemitisu's Music |
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S-Y3j 1. Sangairinten. Composed by Yokoyama in1980. CD artwork by Maya Yokoyama. |
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S-Y3i 1. Onku. CD artwork by Maya Yokoyama. |
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S-Y3h Disc 1 Disc 2 CD artwork by Maya Yokoyama. |
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S-Y3g 1. Kon Kai. CD artwork by Maya Yokoyama. |
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SY3e. SHAKUHACHI KOTEN
HONKYOKU-VOL. 1 No. 1. Azuma Jishi (Vol. 1, No. 1) (2:56) No. 2. Nezasa Shirabe (Vol. 1, No. 2) (3:08) No. 3. Sagariha(Vol. 1, No. 3) (4:08) No. 4. Tamuke (Vol. 1, No. 4) (4:44) No. 5a. Sanya [Version 1] - Part 1 (Vol. 1, No. 5) (7:37) No. 5b. Sanya [Version 1] - Part 2 (Vol. 1, No. 5) (7:37) No. 6. Shingetsu (Vol. 1, No. 6) (5:53) No. 7a. Sanan - Part 1 (Vol. 1, No. 7) (7:37) No. 7b. Sanan - Part 2 (Vol. 1, No. 7) (7:37) No. 8. Yamagoe (Vol. 1, No. 8) (5:00) No. 9. Koden Sugumori (Suzuru) (Vol. 1, No. 9) (5:00) |
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SY3f. SHAKUHACHI KOTEN
HONKYOKU-VOL. 2 No. 10a. Koku - Part 1 (Vol. 2, No. 1) (12:01) No. 10b. Koku - Part 2 (Vol. 2, No. 1) (12:01) No. 11. Daha (Vol. 2, No. 2) (5:10) No. 12. Sokkan (Vol. 2, No. 3) (4:58) No. 13a. Sanya [Version 2] - Part 1 (Vol. 2, No. 4) (10:27) No. 13b. Sanya [Version 2] - Part 2 (Vol. 2, No. 4) (10:27) No. 14. Hifumi Hachigaeshi (Vol. 2, No. 5) (8:02) No. 15. Honshirabe (Vol. 2, No. 6) (3:23) No. 16. Tsuru no Sugomori (Vol. 2, No. 7) (6:12) |
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SY3l. SHAKUHACHI KOTEN
HONKYOKU-VOL. 3 No. 17. Shogan-ken Reibo (Vol. 3, No. 1) (11:28) No. 18. Reibo (Vol. 3, No. 2) (11:17) No. 19.Ukigumo (Vol. 3, No. 3) (8:55) No. 20. Shika no Tohne (Vol. 3, No. 4) (9:42) No. 21.Taki Ochi (Vol. 3, No. 5) (6:32) No. 22. Kumoi Jishi (Vol. 3, No. 6) (3:55) |
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BLENDS Two extended works by Richard Teitelbaum for shakuhachi and synthesizer with percussion and bass accompaniment. Teitelbaum was one of the founders of the revolutionary MEV group in Rome which explored live electroacoustic and collective improvisation in the 60's and 70's. Subsequent to that era he began work with the renowned shakuhachi master, teacher and composer Yokoyama and began on a course of intercultural music. These works express his unique language and nuances of sound color which have given him a cult recognition among avant garde composers and audiences. Blends (1977) a kind of circumnavigation, is an exploration of the shakuhachi's timbral world in an extended dialog with Moog synthesizers, a pairing that was quite controversial at the time. Kyotaku/Denshi (1995) is more of a historical tour that follows a trajectory of Japanese history through the shakuhachi, from its roots of the traveling monks through various episodes of religious, artistic and secular events.
Katsuya Yokoyama, shakuhachi Trilok Gurtu, tabla and percussion Mark Dresser, bass Gerry Hemingway, percussion |
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A Note about Pricing of CDs Imported from Japan The price of CDs manufactured and sold in Japan are significantly higher than recordings made and distributed here in the USA. The average price for Japanese CDs is ¥3150 or, at the current exchange US Dollar to Japanese Yen rate, significantly more expensive than the cost of most American CDs. Add to this the shipping cost involved in importing these recordings. For this reason, in the past, I have hesitated to carry a large selection of Japanese CDs. However, by request and popular demand, I have changed this policy, but please don't be shocked by the sticker prices. Some Japanese artists represented on this site have are graciously offering their music at a significant discount to accommodate the world shakuhachi community. I have also endeavored to keep pricing in line as much as possible. |
Learn more about Katsuya
Yokoyama, SHAKUHACHI
KOTEN HONKYOKU: Practice, Techniques & Notation |
Monty
H. Levenson, P.O. Box 294, Willits, CA 95490 USA |