Bart Hopkin MUSICAL
INSTRUMENT DESIGN: |
This encyclopedic, extensively illustrated book provides the information necessary to explore the world of musical instrument design and construction. While newcomers will appreciate its practical, hands-on approach and friendly tone, those with an established interest in instrument making will find it equally valuable. No other single resource contains the theoretical and practical information found in this volume. Chapters on flute making and wind instrument design are worth the price of the entire book.
Chapters include:
1. Musical Sound Perception -
Basics; Timbre & Overtones; Attack & Decay, Directional
Effects.
2. Acoustic Principles - Oscillation, Resonance; Damping
& Radiation; Modes of Vibration; Nodes & Antinodes; Phase
Relationships; Impedance, Transmission & Radiation.
3. Tuning Systems & Pitch Layouts - Tuning Systems;
Pitch Layouts, Gesture, Ergonomics.
4. Idiophones - Free Bar Instruments; Rods Fixed at One
End; Tuning Forks; Bells, Cymbals & Gongs; Saws & Wobbleboards;
Instruments with Irregular Vibration Patterns.
5. Beaters, Scrapers, Friction Makers - Mallets & Sticks;
Friction Devices; Scrapers; Mounting Systems.
6. Aerophones - Exciting the Vibration; Air columns &
Chambers; Materials for Wind Instrument Tubes and Vessels; Pitch
Control for Wind Instruments; Plosive Aerophones; Sirens; Outer
Air Instruments.
7. Membranophones - Drumheads; Drum Bodies; Attaching the
Head; Drum Tuning; Drum Mounting and Positioning; Drum Types and
Accessories.
8. Resonators & Radiators - Sound Boards & Sound
Chambers; Particular Radiator and Resonator Types.
9. Chordophones - String Instrument Forms; Basics of String
Vibration and Scaling; Sounding the String; Tensioning Mechanisms;
Bridges; Pitch Control: Multiple Strings, Length & Tension;
Tunings & String Layout; Unorthodoxies.
10. Special Effects - Chorusing & Beating Effects;
Reverberation and Sympathetic Vibration; Shifting Resonance Effects;
Rattles; Mirlitons; Dampers; Moving Sound Sources.
Also includes appendices on Tools & Materials, Frequency & Tuning Charts, Amplification, Woodwind Air Columns, Toneholes and Keying Mechanisms as well as an extensive bibliography.
181 pp. CM-16
Bart Hopkin was founder and editor of Experimental Musical Instruments, a quarterly journal dedicated to new and unusual musical instruments, since its inception in1985. (EMI is no longer in print.) Mr. Hopkin received a B.A. magna cum laude from Harvard University in 1974, and later received a B.A. in music education from San Francisco State University. A professional guitarist, he has taught, written, composed, performed and recorded in many places, including Kingston, Jamaica, where for several years he researched and wrote on Jamaican children's songs and revival church music.
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